Government Crackdowns on Chinese Pop

Chinese-Pop, despite its popularity within China, Taiwan, and Hong Kong, is rarely though of in the rest of the world. The genre lies continually in the shadows of the longstanding J-Pop, and the now booming K-Pop industries, although it has in recent years drawn more attention.

C-Pop has drawn an increasing amount of attention in recent years as it has come under the eye of government scrutiny for its “moral divergence”. The government, under Xi Jinping’s regime, has pushed for a return to more traditional Confucian morals, which argues a loyalty to hierarchy, and is used as a rejection of Western influence, and has recently turned its attention towards “cleansing” Chinese popular culture.

Back in January of 2018, the Chinese media regulator came out with an edict that said Chinese TV shows “should not feature actors with tattoos (or depict) hip hop culture, sub-culture and immoral culture,” in essence bringing the growing heyday of Chinese hip hop to a grinding halt. Hip Hop, which originated in the urban black population in the US, is a prime target for the “moral straightening” program that the Chinese government is aiming to implement, as it exists as the epitome of Western influence

Another, more recent possible act by the government, was the blurring of men’s pierced ears in January 2019. Both actors and C-Pop singers alike are now appearing on TV with blurred earlobes, which almost immediately drew criticisms from fans. The fans argued that the blurring of earrings, which was never explicitly implemented by the government (although most likely heavily suggested) reinforced the traditional, outdated standards of beauty for men and women.

In the regions outside of the major cities, the move to blur the earrings for the most part seems to have support, as traditional beliefs of hierarchy and gender still dominate. Men wearing earrings, to the rural population, was seen as “degrading” to the social status and strength of men.

The government is suspected with having a heavy hand in the decision to blur the earrings, as it would be another feature of the “moral straightening” of Chinese pop culture, and would function as a rejection again of Western culture.

Watching the Meg: So Bad it was Good

Last night after coming home from class, I noticed my landlady and one of my housemates watching the latest shark movie the Meg. It was fairly early in the movie, so I decided to sit down and join them. I didn’t think the movie would be good, but I was entirely right in that assumption. But I have to admit, there was something about how bad it was that made it so entertaining to watch.

So, what is the Meg about? The whole plot is about a marine research group run by a private billionaire that accidentally allows a megalodon, the prehistoric ancestor of the shark, out of of the thermoclyne layer of the ocean (which is somehow locked in place by a freezing layer of water?). The megalodon, once free, begins swimming around, destroying boats and reeking havoc on the the researchers. The group works to stop the megalodon before it reaches the coast of China and kills hundreds in a lust for food.

Yeah, the plot already sounds ridiculous. It gets worse. The movie is filled with cheap and cliche dialogue, particularly between the main action dude (who is super buff and gritty, by the way), and the love interest. The dialogue made me crack up quite often, especially when they tried to use it to be emotional/dramatic. It was superficial and corny.

Expanding on that, just the interaction between all the characters feels so fake. Like, it was impossible to get into the characters or treat them like real characters fake. Their interactions were short and superficial, with no character development or deep interaction. When some of these characters reacted to their friends dying, I couldn’t feel anything because none of their interactions felt real in the first place. Even with the main guy’s ex-wife, I was rather confused about where they stood. They were still friends? But their marriage was kind of messy? I didn’t even know. They were all just barely fleshed out versions of stereotypes, or not even anything really at all.

And the romance they build between the main guy and the girl? God, was it weird. Whoever wrote the film clearly tried to make the romance super obvious. They even involved the woman’s eight year-old daughter, who basically gave the okay to having the dude bang her mom. That made my housemate cover her face with the blanket, and made my landlady laugh.

On top of all this, the film had lots of social commentary surrounding Chinese pollution and their process of de-finning sharks. Which, is good commentary, but kind of strange when paired with a movie all about killing a giant shark. I guess you could say the commentary means that the meg is just a metaphor for mother nature exacting its revenge, but that would probably be asking too much from this movie. But the commentary was obvious.

Yet at the same time, there was plenty of product placement. Nike, some watches (I don’t remember what brand), some cell phones, light up shoes, etc. The product placement was all over the place. And I’m going to bed all the brands featured pollute the environment in some way, which kind of negates the point of the commentary.

All-in-all, it was a bad movie. But I stayed and watched the whole thing, just for how entertaining it was. It was a pretty comical movie, even though I highly doubt it was supposed to be taken that way. I just couldn’t help myself. It was fun to see how bad it really was.